Monday, January 11, 2010

Movie Review: Daybreakers

The best thing about the movie Daybreakers is seen in the first ten minutes. It's the set design. George Liddle (always good with 'dark'), does a phenomenal job creating a cold, hard, dark blue-black world. Vampires, as you know, cannot be exposed to sunlight. Skyscrapers are connected with tunnels suspended through the air, the subway system is used to navigate during the day, houses are equipped with artificial light panels instead of windows and automatic shades lower before the sun rises. It’s all surreal but believable. The year is 2019 and a virus started by a single bat bite has mutated most of the planet’s population into vampires. Vampires run the show. Humans are hunted and harvested for their blood. Real blood is the only commodity and Charles Bromley (Sam Neill), is the ‘bloodthirsty’ CEO of Bromley Marks Corporation, the company that has been producing and supplying it since the outbreak. But supplies are dwindling and his company is working tirelessly on a suitable synthetic substitute. Bromley is counting on Dr. Edward Dalton (Ethan Hawke), vampire and chief hematologist who just happens to be a human sympathizer. The good doctor is more interested in finding a cure for vampirism then making fake blood. Either way, these are desperate times because vampires deprived of blood turn into monstrous bat-man like creatures and they are threatening to disrupt the social order. Oh brother! But in all fairness, the potential for a great story is here. It just gets bogged down with heavy political overtones and way too much blood splatter and what should be scary becomes unintentionally funny. This very nifty concept gets lost in an overblown production. The writer/director team of brothers, Michael and Peter Spierig are relatively new to the business and probably should have asked for a little help from Janice Fischer (The Lost Boys) or David Goyer (Blade). Yeah…then the movie would have been great! Daybreakers also stars Willem Dafoe and Claudia Karvan as the warm-blooded and fangless, heads of the resistance. If you are a big fan of vampire movies, and I am, see it but wait for it to come out On Demand.

p.s. There is a lot of smoking in this movie including a scene with kids smoking. Everybody who knows me knows I am vehemently, anti-smoking (read my post "Quitting Smoking" - 10/09). But the idea is, if you are already dead, what difference does it make if you smoke? In many ways the vampire concept is a metaphor for excess and clearly, that is one of the messages of Daybreakers.

Thursday, January 7, 2010

Movie Review: Nine

Nine, starring the incredible Daniel Day Lewis as the Italian director, Guido Contino, is really quite the mess. It almost borders on embarrassing. Actually, it is embarrassing. Lewis is amazing but miscast. Even with his perfect thick Italian accent, he cannot save this film. It’s a musical and he cannot sing a note, not one. I hope I’m not the only person who thought he sounded like The Count from Sesame Street. When it comes out On Demand (and believe me, it will be out of the theater and On Demand in a minute), watch it. Tell me he doesn’t sound like The Count? The paper thin plot goes like this: Contino is a great Italian director but his creative well has run dry. His recent projects have been less then successful and his critics are quick to mention it anytime it is announced that he is about to go behind the camera. Contino has just publicized his greatest project ever…a love story to his home country, simply entitled “Italia!” There’s only one thing keeping him from filming his masterpiece…..he hasn’t written it yet. For inspiration he turns his thoughts to the various women who have influenced his life: his wife Luisa (Marion Cotillard), his star, Claudia (Nicole Kidman), his mistress, Carla (Cruz), his costume creator Lilli (Judi Dench), a star struck reporter (Kate Hudson), his late mother, played by the still magnificent at 75, Sophia Loren. Even the town prostitute from his childhood played by Fergie from the Black Eyed Peas shows up and sings a song. She, by the way, has a tremendous set of pipes. Cotillard and Fergie provide the most entertainment in this very lame production. If you take away the songs (most of them are dreadful anyway), you are left with precious little. On the up-side; the Italian seaside setting is spectacular to look at and provides a welocme but only momentary, distraction. Nine is an adaptation of the Broadway musical, which itself was adapted from Federico Fellini’s Oscar winning film, 8 ½. It runs for one hour and fifty minutes. Short by today’s standards but it seemed like an eternity. Skip it. Ugh!

Wednesday, January 6, 2010

The Phone Call

Chapter 1

In Training
The phone rang only once before I bolted up and slid over my husband’s body to pick it up. It was a little after 2 a.m. and I couldn't remember if he was on call or not. Either way, best if I don’t wake him.

“Is this Cory Kaiser” the voice on the other end asked, somewhat doubtful he would get a positive response? Cory Gould now, but yes, I am Cory Kaiser. “This is doctor…, “ I couldn't hear what he said his name was but I was certain whatever he had to tell me would force me out of bed. "We have a patient here who has your name and number in his wallet. He also has a few drivers' licenses. I doubt any of them are his. He’s unresponsive”. “What are the names on the licenses?” A pause, an audible sigh and he rattled off 4 names. “Listen” he said, “none of the dates of birth match the person lying on this stretcher….you understand?” I understood. “I can be there in an hour”

Who else could it be but my father? The phone call I had waited 35 years for was not what I expected but it was, after all, a phone call. The words were never spoken but I believe the doctor knew I was hoping he could keep him alive until I got there. In any event, he was alive…sort of. I stared down at a man who was unrecognizable as the man I once knew but I knew he was my father.

There was no peace in my house growing up, only fighting, screaming, hitting, crying, dishes flying, and phones being pulled out of walls. There was always ice and amber liquid in a glass, the pervasive sight and smell of cigarette smoke and the distinct smell of the mixture of the two.

Every aspect of life was fought over. The days and nights were filled with a crescendo of fighting followed by time spent cleaning up the mess. My mothers begging and pleading; my father’s incoherent, incomprehensible thundering in his drunken madness. Every night and every day, no breaks from it, at least not until closer to the time my father walked out. I look back now and wonder how any of us survived.

Any time spent alone with my father could end up in disaster. Even going to the supermarket could turn into a surreal nightmare of being left alone with a sea of strangers. The reason for the trip to the market would always be the same. No milk. No eggs, no juice. After the blow up over why there was no milk or whatever, my mother would beg my father not to go because he was too drunk. He would laugh, say something horribly cruel, grab the keys and I would beg him to take me. Only the first few times were terrifying. Eventually, even at a young age, my ability to maneuver myself around and keep safe became very well developed.

But the first time was serious business. No seat belts back then; just his big hand whipping in front of my tiny body to keep me from flying into the dashboard as he would run the stop sign at the bottom of our street. Only once his hand didn't harness me to the seat fast enough and I got a fat lip. Other then that time, considering his condition, he was remarkably good at it. It is a habit I picked up that my kids find quite hilarious because they are always strapped in tight. But thinking back to those times, I still can’t figure out what, exactly, I felt. Was it scary? I do not remember feeling scared. Was it exciting? I am not sure till this day what I felt. Whatever it was became a sensation I would have to reconcile later in life.

The supermarket was moderately busy. As always, I was so excited to be there with my dad and was hoping I would be able to talk him into buying me a coloring book. It was always easier talking him into buying me presents then it was my mom. She was too practical.
I walked close by my dad’s side, always looking up at him and feeling so happy when he would look down at me, smile, pat my head, call me "killer" and mess up my hair. Sometimes he would pick me up and carry me for while. I loved being up there. He got what we needed and a few things we didn’t and headed for the cashier.

I’m not sure when he left the store but in my mind he simply disappeared, like in a magic act. One second he was there, the next second he was gone. Afraid to move too far away from the shopping cart I tried my best to stretch, stand on my tip toes and look for him. A cart pushed in behind me completely blocking my view.

I don’t know if what I experienced was called panic but if it was not actually panic, it was a close relative. I could hear my heart pounding in my ears. It was impossible to hear what anyone around me was saying. My legs became very weak and I had to work hard to keep from buckling. I was 5, almost 5 anyway. It was February and I would turn 5 in June. I remember it was February because soon after this incident my mom gave birth to my sister whose birthday is February 28th.

Ultimately, I told someone I could not find my dad. “Oh, don’t you worry sweetie, I’m sure he went to get something he forgot”. It actually never even occurred to me that was the case. I knew he was no longer in the store. I’m not sure how I knew, but I knew.

From my perspective, all I could see were people’s coats and their shoes. Lot’s of movement. Lot’s of muffled noise. The emotions and sensations I was experiencing were so overwhelming. It was hard to speak. I felt like I was being choked. There were plenty of tears.

I’m not sure how long I was standing there before someone knelt down and asked me why I was crying. "I want to go home". I remember saying that, very deliberate, very slowly because it was hard to push the words out, “I want……to…go……home.” A woman was kind and brought me to the store manager. A few questions, a phone call and my mom was there to pick me up. We only lived a half mile away but I had no sense of that.

I learned much later that my dad went to the bar across the street. The store manager got to know me. The supermarket scene played out a few more times before my mom stopped letting me go. I would have kept going. There was an excitement about being with my father that was hard to explain and my ability to manage in ridiculous situations became a tremendous source of pride.

Unfortunately, things got a lot worse before they got better because that is what happens when there is an alcoholic in the house. Initially, there were always apologies after an egregious act, sometimes even a gift. In time, that stopped. Whether it was subtle or not so subtle, my fathers' spiral down hill was uncontrollable. The scenarios of being ditched or being forced to find rescue continued until my father left in the summer of 1967. I was 12 and I was devastated.

Conventional wisdom would lead you to believe that I would have or should have, been grateful and relieved when my father left but that was simply not the case, far from it. I was deeply anguished and lost. So much of my life revolved around him. There was a huge void. And when he left, he really left. We did not hear from him for years, nothing, not even a phone call. But that did not stop me from waiting for one. For many years I waited, staring at the phone; jumping when it rang only to be disappointed when I picked it up and would hear someone else’s voice on the other end. In the beginning, I was so disoriented, I would just hang up or put the phone down without so much as a reply. Just because the major source of trouble left didn't mean our troubles were over. Quite the contrary, in many ways, they were just beginning. With my dad in the house, how could any of us have any problems? He had enough for everyone. We had them of course, but who could tell? Who could possibly even notice?

From that evening in the supermarket until the summer of 1967, there were 6 very eventful years. Years that would hone certain traits; some good, some bad and some ugly. There was no escaping the damage.

Despite all his craziness, my father managed to do some unbelievable things. In the summer of 1962, he bought a boat. Hard to imagine for a million reasons but it was just this type of thing that made our family look so ideal and actually enviable, to the outside world. Over the next five years, he would buy three boats, trading each one in for a bigger model. The last was a 38 foot Chris Craft Commander. After my parents divorced, my mother would spend the next 10 years paying off the debt my father accumulated. We even owed the Good Humor Man $220.00 and in 1967 that was a lot of money. My father was very flashy. He would buy ice cream for all the kids in the neighborhood. It was bedlam on our street when the ice cream truck came around and my dad was home. People still talk about it. The money was the least of it.

There were many occasions my dad simply forgot I was still swimming off the back of the boat. He would lift anchor and start the engine. I’d be flailing my skinny arms around madly trying to get his or my mothers' attention before I’d surely drown from the boats engine churning up the water around me or worse, I’d be chopped to pieces by the propellers spinning below me (those propellers loomed heavy on my mind). My desperate wailing was no match for the battle going on on board but somehow the engine would shut and an arm would reach down and pull my slippery and exhausted little body out of the water. I became quite the swimmer. It was usually the occupants of a neighboring boat that would get my parents attention. I can’t even imagine what those people were thinking after they would get a wave or thumbs-up sign and "thanks - got 'er" shouted across the water. Anyway, I caught on quick – never swim astern.

We kept our boat in Cos Cob, Connecticut. You can see the marina down on the right as you drive by exit 4 heading North on Interstate 95. The marina is situated on the Mianus River, near a draw bridge. There are 7 openings under the bridge. Only one is navigable and can handle a deep draft and keel of a large boat. Amongst local boaters, it’s common knowledge and although not well marked, it's marked. The fact is, my dad knew the right passage. I knew it. In retrospect, that he only missed it once was a miracle. But the day he missed it was not a good day and it would be the last day he would be out on the water with me on board. It was just the two of us that afternoon. It was low tide, overcast and drizzling. “Daddy, you’re heading towards the wrong opening”. We were on our way back in and he was in no condition to be driving the boat; something I could only recognize when I looked back as an adult. There was some sort of conversation between us but whatever was said did not really matter. We ran aground very close to one of the support columns of the bridge and near a set of rocks. I took the boat hook, a long telescoping pole we use to pull into our slip, and tried to push us off the silty bottom. No luck. The radio was broken (it would get the same treatment as our house phone). The solution to this problem was simple. I had to swim to the marina.

I was a very good swimmer, perfectly capable of making it in. My father was aware of that but I did not want to do it. The cold air made the water feel warmer then, in all probability, it was. The only scary part was being in the water so close to the support column. Water around a bridge is disgusting. Green algae, big seaweed, rust, litter and oil are nothing you want to be submerged in. Water around a marina is equally if not more disgusting because you have the added feathers and dead fish that always seem to be floating around. In some spots, I could touch the bottom – ech –awful! The swim to the marina was dedicated to thinking about how I was going to handle getting help. I was 9 and could handle myself in a lot of crazy situations but this seemed challenging. The problem wasn’t asking for help. “We ran aground near the rocks and we need a tow”. How was I going to explain getting to the marina? What do I say? “My dad made me swim here”. I would never say that. I hoisted myself up onto the dock, leaned back over and threw up. I picked little pieces of seaweed out of my hair and off of my very scrawny body and walked toward the marina’s store. I stared at my reflection in the push-letter sign (coke .25, Bait .35) and walked in. I’m sure I was quite the sight. Whatever I said got the job done. I went with one of the young launch workers to our boat. My dad threw him a rope he had tied to one of the fender locks near the bow and we were pulled free. By the way, no one ever asked how I got to the marina – thank God!

Although very few, there were sweet moments with my dad that revolved around the boat. Most of those moments took place on dry land. On occasion, he would take me to the marina and we would get a big bucket of steamers. I knew he was so proud that I loved them and was very proficient at eating them; opening them up, pulling them out of the shell, sliding off the wrinkled black membrane, dipping them in the salty water then into the melted butter and popping them in my mouth. Yummy! He would open the back of the station-wagon, pick me up and sit me on the hanging door, look down at me, smile, call me "killer" and mess up my hair. We would finish the whole bucket. The seagulls would be hovering around us and I remember wanting that moment to last forever. *In a healing process that took more then a decade, this memory would be vital.

The Year of Living with Disulfiram:
Better known as Antabuse, it was the first medication approved by the FDA for the treatment of alcohol dependence. What it is; a cruel joke played on families of alcoholics. It was discovered by accident in 1948 by researchers Erik Jacobsen, Jens Hald, and Keneth Ferguson at the Danish drug company, Medicinalco. The drug was intended to treat parasitic infections but an interesting thing happened when the researchers tested it on themselves and then went home and had a drink; they felt really sick. Fortunately, they all had the same habit of having a drink at night so they quickly came to the right conclusion; disulfiram and alcohol don’t mix. It works by interfering with the way our body metabolizes alcohol. When we consume alcohol, it is metabolized into acetaldehyde, a flammable, organic and very toxic chemical that in large amounts causes what we experience as a hangover. The body continues to metabolize (oxidize) the acetaldehyde into acetic acid which is harmless and your hangover dissipates. When Antabuse is taken, the ‘oxidation into acetic acid’ process doesn’t happen and guess what? A hangover takes on a whole new meaning and it does not go away so fast. In addition, even if the person stops taking it, Antabuse is absorbed through the gut extremely slowly and can last for up to two weeks in the body. If you continue to drink (and all alcoholics do) there will be a build up of acetaldehyde ten times greater then would normally occur and symptoms of a hangover will precipitously, increase. The results are not pretty.

"Antabuse makes drinking unpleasant". That is one of the great understatements. The unpleasant effects include; projectile vomiting, profuse sweating, difficulty breathing, extreme thirst, flushing, severe headache, chest pain, weakness, trembling, dizziness, blurred vision and confusion.Yes, very unpleasant to say the least. The idea (the hope) is that this severe adverse reaction will keep a person from consuming alcohol; a type of aversion therapy. I don’t think the success rate is too impressive and clearly, it had no effect, what-so-ever on my fathers drinking. It did however, have a huge effect on the rest of us. You would be amazed at how much vomiting that tiny little pill can cause; stunning, really. It also creates endless opportunities for embarrassment. The Antabuse period of our lives was short lived but it was memorable. So much time and effort was put into trying to get my father to take something that made our lives so much more difficult than it already was. It was hope against hope that somehow that little white pill was going to solve our problems.

It's hard to imagine how it all happens, how it can get so bad. It was so insidious. One bad night seemed to lead into a bad day and before you knew it, like wildfire, we were consumed. Life became dedicated to dealing with and managing someone who was incapable of managing themselves. To make matters worse, there was the constant manufacturing of stories to explain away what was going on. The amazing thing; we were fairly successful at it. No one knew how bad it was and compounding our problem was this constant covering up created a distorted sense of reality. The question that begs to be asked; "What happens when you grow up in an environment where your sanctuary is chaos?" I'm gonna get to that.

The Good and the Funny:
My dad thought he was Eroll Flynn.
To be continued....


*I consider my healing a life-long journey. I'm referring to getting help and stopping the insanity that was inevitable from growing up in a household like mine.

Monday, January 4, 2010

Wanting....

it's what the mind does. It wants. It wants a better job, a nicer house, that beautiful Armani jacket, a diamond ring, a Mercedes, recognition, to win first prize, happiness, bigger breasts, to be thinner, richer, prettier. It wants him, her. There is no end to the list. It's all a big distraction. The trick is to learn how to observe it without letting it consume you. When we want something, when our mind is filled with desire, it contracts in on itself; there is hardly any room for anything else. All thoughts come back to that "thing" we want and the strategies we might use to get it. The problem is, when we acquire the object of our desire or achieve the goal, satisfaction is only temporary. Our mind starts to lose interest and something else takes its place. Satisfaction is only a release from the pressure of wanting. It's the moment that occurs when we move from wanting to having. We are the space in between the wants. When we are consumed with desire, it's like a dense fog in our mind and we lose sight of who we are. When wants and desires are very strong, we are usually suffering. When we are satisfied with what we have and where we are, when we are free of wants, we are most often content and in the moment. Does this mean we should never want or desire anything? Of course not. It just means we should try to understand that it is the minds nature to want things. Knowing this allows us to become less attached to everything it wants. Think of the mind as a spoiled child. It's better for everybody if you don't give in to it all the time. To be con't.....

Friday, January 1, 2010

Movie Review: The Young Victoria

The Young Victoria is a little slow, suffers from too much voice-over and is overly restrained. But if you are into period movies you might enjoy it anyway. It’s not Elizabeth (Kate Blanchett), not even close but the movie does teeter on the edge of being entertaining. Emily Blunt does an interesting job with the part. You can see her change as the film progresses, becoming more self-assured and 'regal', bringing some credibility to this challenging role. I did however, think about who would have made a better Victoria. I could not come up with anyone. The storyline is a matter of history and the movie does a descent job of giving us just that. Much of the movie involves the conflict surrounding the way the Duchess of Kent (Miranda Richardson), Victoria's mother, closely allies herself with the conniving Sir John Conroy (Mark Strong, also the villain in Sherlock Holmes). Together they conspire to keep Victoria sheltered, unprepared, helpless and completely dependent on them. If only she would sign the regency papers allowing her mother to run the country. In the meantime, they don’t let her walk up or down the stairs without holding the nanny’s hand. King William IV (who had no legitimate children – he had 10 illegitimate ones), Victoria's uncle, cannot stand The Duchess. One of the best scenes is at his birthday party where William (Jim Broadbent), slurring fabulously, lashes out at The Duchess, drenching her with venomous insults in a drunken tirade while the guests look on appalled, horrified and enormously entertained. And then Victoria is crowned. The weight of that crown sits heavy on her head, literally, creating a memorable image. Discussion of a husband begins in earnest. Of course, we know who wins out: Albert (Rupert Friend) of Saxe-Coburg and Gotha, Victoria's German-speaking first cousin, a man of honor. Albert's courtship of the queen is a complicated affair. He must gain her trust, thwart the ambitions of rivals, not seem too intrusive and wait for her proposal. Complicating matters more, he seems to really love her. Their relationship is one of the great love stories and their devotion and heated attraction to one another is one of the highlights of the film. Together they have nine children - four sons and five daughters: Victoria, Bertie, Alice, Alfred, Helena, Louise, Arthur, Leopold, and Beatrice. The Young Victoria, like all period movies, is about costumes and behavior. Getting an interesting story and a little bit of history are the perks. You get all of it in this pretty little movie. It is written by actor/writer, Julian Fellowers and directed by Jean-Marc Vallee. It runs for an hour an forty five minutes, a small investment for the reward. You can see it in the theater, wait for it on cable or rent it.

Friday, December 25, 2009

Movie Review: Sherlock Holmes


Sherlock Holmes tries too hard. The movie is at its best when it is "Sherlock Holmes" plain and simple. When Holmes is 'sleuthing' or bantering with Watson the movie is very entertaining. I loved it when Holmes uses his deductive reasoning to calculate the most effective moves to use to subdue a thug in a back alleyway. He talks it through in his mind, we witness it in slow motion and then in it plays out in real time. It is the opening scene and it is a very clever technique director Guy Ritchie has used in other films (Snatch and Lock Stock and Two Smoking Barrels). But in the midst of too many explosions, long drawn out fight scenes, and an over abundance of computer generated images (CGI’s), the movie gets bogged down and loses momentum. Robert Downey Jr. is a far cry from Basil Rathbone or Peter Cushing but he is a fabulous Sherlock never-the-less. Ripped, slovenly, overly moody and possibly too close to Dr. Watson, he is a new take on Sir Arthur Canon Doyle's most famous fictional character. Jude Law is too gorgeous to be a plausible Watson but who cares (I'm a sucker for a pretty face). I loved him in this movie and together they make a terrific crime fighting duo. The acting is not the problem; it’s the heavy handed plot. Something about a secret satanic society lead by Lord Blackwood (Mark Strong) that practices its evil business under the House of Parliament. It’s too silly. There is no question, the screenwriters (there are 4 of them) were aware of Doyle’s interest in *spiritualism but it is so over-the-top it becomes a distraction. The very talented and beautiful Rachel McAdams plays Irene Adler, Sherlock’s female nemesis but her role here feels strained. This is a screenwriting problem not an acting issue. The ending screams for a sequel but I would love to see it in someone other then Guy Ritchie’s hands. Ouch, I know, but he’s not my favorite director – remember Swept Away? Awful. There is too much big cinematography (albeit CGI) to recommend renting it. It will be greatly diminished on a TV screen. But I’m having a hard time recommending you spend 2 hours and 15 minutes in the movie theater. Then again, if you are a Robert Downey Jr. fan, and I am a big one, how can you miss it? You can’t.

*Doyle became interested in spiritualism after the death of his wife, Louisa, his son Kingsley, his brother, both brothers-in-laws and 2 nephews. He found comfort in his quest to prove scientifically, that there is life after death. In his novel, The Land of Mist, Doyle uses another fictional character, Professor Challenger, to reveal his own personal experiences with contacting the dead.

Saturday, December 19, 2009

Movie Review: Avatar

Avatar is destined to become the gold standard by which all science fiction/fantasy movies are measured. Like Cameron’s The Abyss, The Terminator and Aliens, we are witness to images never seen before and trust me, you will be amazed. Although the story is not as compelling as the stories in those movies, the images and the landscapes make up for it (something I never thought possible). The gorgeous and talented Sam Worthington plays Jake Sully, an ex-Marine who has lost the use of his legs in battle. The year is 2154 and all of the Earths natural resources have been depleted. The solution; a substance called “unobtainium” (I’m not sure how anyone said that without laughing). The problem; the only place it can be found is on the distant Pandora, the moon of the planet Polyphemus, 3.4 light-years away. Pandora is inhabited by the Na’vi, a very beautiful, very tall and very blue humanoid yet cat-like race who are beyond nature-loving. They are intricately connected to nature through their anatomy. It is just this type of storytelling James Cameron can pull off that makes him a genius and the self-proclaimed, “king of the world”. Remember, he is not just the director; he is the writer. The storyline is classic. The Na’vi have what our planet needs and we have come, with all our military might, to take it. The plan is to attempt a diplomatic solution first by infiltrating Pandora with Avatars; scientific creations masterminded by Dr. Grace Augustine (Sigourney Weaver). They are made from combining human DNA with the DNA of the Na’vi. The Avatar is synced to the human who’s DNA was used to create it allowing a type of telepathic control. A few carefully chosen humans have been selected. Jake is not one of them but a twist of fate creates an opening for him and with the promise of "getting his legs back", he jumps at the opportunity. The Avatars' job is to get to know these relatively peace-loving creatures and convince them to move. Needless to say, diplomacy fails and our big military guns - led by Col. Miles Quaritch (a very buff Stephen Lang) and Parker Selfridge (Giovanni Ribisi), the brains and money monger of the operation - plow in and try to take what they want. The "understory" and compelling force in the movie is the romance that develops between Jake and Neytiri (Zoe Saltana – Star Trek), the beautiful native who saves his life and ultimately trains him to be one of the Na'vi.
Motion Capture Technology is used to create the inhabitants of Pandora. My usual complaint with MCT is that it generates emotionless characters which is not the case here. On the contrary, the Na’vi as well as all the creatures of Pandora are full of expression and emotion. As a matter of fact, they show more emotion then the real life actors (with the exception of Worthington). This is a tremendous advancement in the technology (check out HBO on cable to see how this movie was made - amazing). And if you don’t think it can be sexy to watch two, blue, computer generated images with tails make love, think again.

I have heard endless comparisons of this movie to Dances With Wolves. For me, the movie that came to mind was The Last of the Mohicans. In fact, there is a scene stolen from it. But Cameron gets away with plenty in this movie because it is a visual masterpiece. Clocking in at 2 hours and 40 minutes the movie is too long but no one seems to mind. I did not see one person get up. Even more impressive, not one cell phone light went on; incredible considering the mean age in the theater. There is plenty of unnecessary voice-over but I'm gonna let it slide. Don’t miss it. See it in 3D in an IMAX theater.